Shogun Chapter 6 Willow World Podcast

[00:00:00] This is the Shogun Podcast on TV Podcast Industries, we're back.

[00:00:03] Talkin' about Shogun Chapter 6, Ladies of the Willow World.

[00:00:07] She wishes to explain to you the meaning of the willow.

[00:00:12] こちらにお腕になる方は皆様忘れたいものを持ちでございまする

[00:00:19] 退屈痛痛み苦しみ落った

[00:00:25] most come headwisuke from bottom of pain

[00:00:30] hagia for disappointment

[00:00:32] 皆様ここは開楽に覚れるための場所と思うてもられます

[00:00:37] they believe this place is about physical pleasure

[00:00:40] それだけでおじれずございまする

[00:00:43] but it can be more

[00:00:45] 私がお会いでおする方々

[00:00:48] the people she meets with for a different life or circumstance

[00:00:54] they want to be any place other than where they are

[00:00:57] 私は火用なのさみよ

[00:01:00] かないで差し上げております

[00:01:03] I offer you relief from this

[00:01:06] とは何 so?

[00:01:07] and safety

[00:01:10] to create one perfect moment that you wish to inhabit completely

[00:01:36] Welcome back fellow warriors

[00:01:37] I am one of your other hosts John

[00:01:39] back half now of the season of shogun

[00:01:41] I'm episode 6

[00:01:43] yeah moving into the second half of the season now

[00:01:45] and so we'll see how this unfolds

[00:01:47] yeah absolutely really got episode that this week

[00:01:50] yeah absolutely

[00:01:52] and some really fantastic moments here for me

[00:01:56] and like so yeah

[00:01:58] and so we're going to have a look

[00:02:00] and we're going to have a look

[00:02:03] and fantastic moment here for me

[00:02:05] and like so yeah we'll get into those

[00:02:07] and as we

[00:02:09] we get into our podcast

[00:02:11] yeah absolutely

[00:02:12] but as always to remind you if you haven't subscribed to the podcast

[00:02:15] please pop on over to our website

[00:02:16] tvpodcastindustries.com where you can subscribe to any good

[00:02:20] or villainous podcast catcher

[00:02:22] out of your choice

[00:02:23] you can also send us feedback on shogun

[00:02:25] to feedback at tvpodcastindustries.com

[00:02:28] or pop on and join us over on our Facebook group

[00:02:31] facebook.com slash groups slash TV podcast industries

[00:02:34] where there's a spoiler post up for each episode

[00:02:36] as they come out

[00:02:37] and we discuss our feedback from our wonderful fellow

[00:02:39] warriors on the following episode each week

[00:02:42] so as always looking forward to hearing your thoughts

[00:02:44] about the episode as well

[00:02:46] yeah definitely keep those

[00:02:48] keep that feedback coming in for sure

[00:02:50] yeah

[00:02:51] loving everyone's comments and thoughts on this show so far

[00:02:55] but shall we get into our spoiler field discussion

[00:02:59] Derek who gave us what were when and how for

[00:03:04] chapter 6 ladies of the willow world

[00:03:07] well as always to mention this show is based on the James

[00:03:09] level 1975 novel of the same name

[00:03:12] this episode was written by Megan Huang

[00:03:14] Megan is a writer director based in Los Angeles

[00:03:16] and Michigan and she's a story editor on shogun

[00:03:18] currently she's writing a movie for a 24

[00:03:20] called Necrocosm

[00:03:22] it's a next big project

[00:03:23] interesting

[00:03:24] yeah that's a 24

[00:03:26] I was going to say yeah that production studio has hatched to any project

[00:03:28] makes me interested

[00:03:30] if you don't know who they are

[00:03:32] the probably the biggest success is everything everywhere

[00:03:34] all at once which is Oscar winning

[00:03:36] and fantastic movie

[00:03:38] if you haven't seen it go check it out of course

[00:03:40] yeah absolutely

[00:03:41] but yeah interesting to see what Necrocosm is

[00:03:43] yeah definitely

[00:03:44] like I mean as you say

[00:03:46] it's just a 24

[00:03:47] they just bring out some really good

[00:03:50] independent you know just

[00:03:52] tales different stories

[00:03:54] and with really good people involved

[00:03:57] you know so

[00:03:58] it's almost like this outlet for

[00:04:00] the big studio system to do something a bit different

[00:04:05] exactly so interested to see what Megan does over there

[00:04:07] this episode was directed by Horomi Kamata

[00:04:09] Horomi is a Japanese Mexican director

[00:04:11] who also directed two episodes of Monarch

[00:04:13] Legacy of Montsnakes

[00:04:14] yeah we started on a sy

[00:04:16] who plays Muriko in Shogun of course

[00:04:19] so they've worked together quite a bit before

[00:04:21] yeah that's great

[00:04:23] really enjoyed watching Monarch as well

[00:04:26] yeah good show

[00:04:27] yeah good show

[00:04:28] bit of Godzilla in your weekly

[00:04:29] yeah we are at least a threat of Godzilla for most of the season

[00:04:33] good stuff to jump

[00:04:34] do you want to tell us what they gave us with your

[00:04:36] snops as four

[00:04:37] Shogun chapter six

[00:04:39] ladies of the willow world

[00:04:41] sure

[00:04:42] lady Achiba returns to Osaka

[00:04:44] in order to accelerate

[00:04:46] the regents campaign against

[00:04:48] Toranaga

[00:04:49] meanwhile in a Giro

[00:04:51] Toranaga test Mariko's loyalty to his cause

[00:04:55] interesting stuff

[00:04:58] well I mean we do start with a flashback

[00:05:00] we do

[00:05:01] yeah to get a little bit of insight into both

[00:05:04] Mariko but also lady Achiba as well

[00:05:08] absolutely

[00:05:09] well let's go straight into there with our top

[00:05:11] Bushido points

[00:05:12] Bushido number one

[00:05:13] Mariko and Lady Achiba

[00:05:15] and they're first meeting I guess

[00:05:17] we see in this flashback at the beginning

[00:05:19] so we get

[00:05:21] 22 years ago

[00:05:23] and interesting kind of contrast here

[00:05:27] in that you get the sense of Mariko and Lady Achiba

[00:05:32] who's known as Ruri

[00:05:34] at this stage of her life

[00:05:36] being actually really good friends

[00:05:39] you know within the course of Ruri's father

[00:05:43] yet you see

[00:05:45] you know in contrast

[00:05:47] there's a tension

[00:05:49] between Mariko's father

[00:05:51] and Achiba's father

[00:05:53] or Ruri's father

[00:05:55] yeah absolutely

[00:05:57] you know Mariko's father being Lord

[00:05:59] Keshi Jinsai

[00:06:01] and is a new vessel

[00:06:03] of Achiba's father here

[00:06:07] but yet seemingly a fairly

[00:06:09] tense relationship

[00:06:11] and sometimes odds

[00:06:13] with one another

[00:06:15] because we know

[00:06:17] now the story of Mariko and what her father did

[00:06:19] he's the one that killed Karota

[00:06:21] he's the one that killed Lady Achiba's father

[00:06:23] so yeah so it's interesting seeing

[00:06:25] it through the eyes of these two kids

[00:06:27] being put together, being pushed together

[00:06:29] at the beginning I like that you actually see Mariko being forced to bow

[00:06:31] almost like

[00:06:33] this is how you welcome in you guest

[00:06:35] bow in front of her

[00:06:37] and now the two of your friends

[00:06:39] you must welcome her into the our society

[00:06:41] you must take care of her

[00:06:43] you see it going through their lives together

[00:06:45] had close they were

[00:06:47] and you also see the you know the innocence of youth

[00:06:49] in that they spot

[00:06:51] and you know both fathers arguing

[00:06:55] and you know they wonder why

[00:06:57] you know it's all

[00:06:59] slightly lost on them really

[00:07:01] yeah exactly

[00:07:03] but ultimately we see Karota

[00:07:05] Lady Achiba's father

[00:07:07] you know beheading

[00:07:09] a group of people

[00:07:11] Jin Sai and

[00:07:13] really brutal to watch and you can see

[00:07:15] Jin Sai being held back by Toranaga

[00:07:17] as he's about to challenge

[00:07:19] effectively the leader of their country

[00:07:21] and what he's doing

[00:07:23] Karota is taking so much pleasure almost in this massacre

[00:07:25] of

[00:07:27] with his own sword

[00:07:29] it's not like he's sending it

[00:07:31] to destroy them he's bringing one up at a time

[00:07:33] and beheading them

[00:07:35] but the reaction from

[00:07:37] Jin Sai is that he wants to stop this immediately

[00:07:39] and then he realize his daughter is right there

[00:07:41] watching on

[00:07:43] and tells her it's just a dream go back to bed

[00:07:45] basically you're having a bad dream

[00:07:47] and of course after that

[00:07:49] we see

[00:07:51] Mariko sort of later on

[00:07:53] being married into

[00:07:55] the Toda clan

[00:07:57] to Buntauro

[00:07:59] and it's really

[00:08:01] again she doesn't know why her father

[00:08:03] is doing this as far as she can see

[00:08:05] it's a worthless plan

[00:08:07] it's a worthless alliance

[00:08:09] and has no real sense as to why

[00:08:11] he would do this

[00:08:13] there's a real great moment

[00:08:15] as she's putting on sort of her

[00:08:17] wedding hood almost

[00:08:19] and she's looking at her father

[00:08:21] Akashi

[00:08:23] and

[00:08:25] just the eye

[00:08:27] contact between them

[00:08:29] almost what are you doing to me

[00:08:31] exactly

[00:08:33] Jin this there is

[00:08:35] an element being described about a duty

[00:08:37] that lasts and a duty to serve a greater purpose

[00:08:41] so you know

[00:08:43] whilst this seems like a worthless alliance

[00:08:45] I'm sure there are

[00:08:47] motivations around

[00:08:49] her father doing this

[00:08:51] yeah really good flashback here

[00:08:53] to see

[00:08:55] I guess some start of

[00:08:59] the issues that are in the present

[00:09:01] also to see the

[00:09:03] Mariko and Lady Ashiba

[00:09:05] you know were friends

[00:09:07] I mean it's just something that

[00:09:09] lasts we do hear later

[00:09:11] that she hasn't seen Lady Ashiba

[00:09:13] since so

[00:09:15] is it something that

[00:09:17] Lady Ashiba

[00:09:19] will be thinking of fun

[00:09:21] if they meet again when they meet again

[00:09:23] well yeah

[00:09:25] you know as far as the big story

[00:09:27] here as as you say is these two were friends

[00:09:29] she was

[00:09:31] pushing her on this path

[00:09:33] we see more about Lady Ashiba

[00:09:35] how she became Lady Ashiba

[00:09:37] Nottada

[00:09:39] we see that this path leads her to become the

[00:09:41] consort of the Tyco

[00:09:43] giving him an heir to take over the country

[00:09:45] and that's the whole path that's born out of

[00:09:47] her father being killed by

[00:09:49] Mariko's father

[00:09:51] so that's really important

[00:09:53] that yes they may have been friends

[00:09:55] when they were young

[00:09:57] and their father and all of

[00:09:59] her family were killed

[00:10:01] Mariko has been forced to stay alive

[00:10:03] by Bontaro for this whole time

[00:10:05] so I don't think it's going to be a friendly meeting

[00:10:07] between Lady Ashiba and Mariko

[00:10:09] absolutely but also

[00:10:11] survived

[00:10:13] the executions of

[00:10:15] her whole family by her father

[00:10:17] survived that because of the marriage

[00:10:19] protected almost taken

[00:10:21] off the chest spot

[00:10:23] to speak with this marriage

[00:10:25] it's a really interesting bit that was in there

[00:10:27] from the flashbacks

[00:10:29] where we see Mariko training

[00:10:31] it seems like the entire chorus

[00:10:33] are watching on as she's training

[00:10:35] and they're all commenting

[00:10:37] that you hear whispers of how good she is

[00:10:39] she's a great warrior

[00:10:41] but in the corner you see her future

[00:10:43] husband Bontaro watching on

[00:10:45] with just a dead blank stare

[00:10:47] so again

[00:10:49] when she has that moment

[00:10:51] where their father where she's looking at him

[00:10:53] and seems to have absolutely no interest in her

[00:10:55] so why would she be married

[00:10:57] into this

[00:10:59] loveless relationship

[00:11:01] with a clan that isn't strategically worthwhile

[00:11:03] but it's equally loveless from her

[00:11:05] because she just doesn't see

[00:11:07] it as being right for

[00:11:09] in a sense her station

[00:11:11] and the court

[00:11:13] it's worthless to her

[00:11:15] so it's almost sort of

[00:11:17] the

[00:11:19] toadoklan is beneath her

[00:11:21] and again

[00:11:23] we'll talk about it in another point

[00:11:25] but I like that this has stayed

[00:11:27] with her for entire life

[00:11:29] she never knew what the reason that her father

[00:11:31] had sent her off was

[00:11:33] we learned that from Turalaga later on

[00:11:35] which we will talk about

[00:11:37] but I like that it goes through her entire life

[00:11:39] she has this

[00:11:41] in the back of her mind the whole time

[00:11:43] my father had to slaughter

[00:11:45] everybody else in my

[00:11:47] family and the last remaining member

[00:11:49] so that's what we leave

[00:11:51] I guess are a flashback of

[00:11:53] it's just to say you know

[00:11:55] that kind of marrying for power and alliances

[00:11:57] and yet here

[00:11:59] this marriage seems to be

[00:12:01] of a different nature

[00:12:03] it's taking her away from the power

[00:12:05] center of power around Turalaga

[00:12:07] at the court

[00:12:09] and so on by marrying her

[00:12:11] into a clan

[00:12:13] there is deemed to be

[00:12:15] small relatively

[00:12:17] important by comparison to

[00:12:19] a number of other families

[00:12:21] so yeah it's an

[00:12:23] interesting move you know

[00:12:25] on the chessboard

[00:12:27] absolutely I suppose you know

[00:12:29] it's one of those

[00:12:31] tales that comes from history of course

[00:12:33] but have been taken into lots

[00:12:35] and lots of popular stories about these types of

[00:12:37] unions between different clans

[00:12:39] you know again

[00:12:41] we always mention Game of Thrones

[00:12:43] I've not even got to apologize for it anymore

[00:12:45] just that reference of you know

[00:12:47] picking a member of your family to

[00:12:49] unite two houses even if there's no

[00:12:51] connection between the two of them

[00:12:53] for a future purpose that really

[00:12:55] matters to the empire effectively so

[00:12:57] so while Marie Coat

[00:12:59] may not know the reason for this marriage

[00:13:01] it's a fundamentally really important thing

[00:13:03] and it's what kept her alive

[00:13:05] which is actually really interesting

[00:13:07] so let's go on to our Bushido

[00:13:09] number two Chief Admiral John Blackthorn

[00:13:11] another step on the latter

[00:13:13] in Japan even though he may not want it

[00:13:15] I mean he's been

[00:13:17] showered with gifts I mean

[00:13:19] you know um

[00:13:21] he saved her anager from

[00:13:23] a soyly death basically in the last

[00:13:27] episodes and we see here

[00:13:29] in front of all his surviving

[00:13:31] captains

[00:13:33] allies

[00:13:35] generals

[00:13:37] that you know he's lost many men

[00:13:39] from the the after effects of the

[00:13:41] earthquake but he uh you know

[00:13:43] he calls out uh

[00:13:47] John Blackthorn as having saved his life

[00:13:49] again but I mean he's been showered

[00:13:51] with gifts I mean what did they do in ancient

[00:13:53] Egypt they would cover them with gold

[00:13:55] and then that was their kind of

[00:13:57] payment if they'd done something really

[00:13:59] well um but here he gets a

[00:14:01] a a a a a a a a a which will give him

[00:14:03] an income of

[00:14:05] uh

[00:14:07] hundred kukus um

[00:14:09] what is the name

[00:14:11] the chief admiral of canto um

[00:14:15] tarnagas chief admiral

[00:14:17] and becomes a general of the canon

[00:14:19] regiments I mean immediately

[00:14:21] no sooner has iapore amie

[00:14:23] uh gotten the

[00:14:25] the regiments of canons

[00:14:27] it is taken away from him

[00:14:29] or at least it is the barbarian

[00:14:31] who is um

[00:14:33] over him and in charge of it

[00:14:35] so extra and you know all of

[00:14:37] this is being noted by uh

[00:14:39] amie and i do like the way that

[00:14:41] you know he's absolutely

[00:14:43] vexed concerned with all

[00:14:45] um

[00:14:47] all these gifts being showered on the barbarian

[00:14:51] and I love the conversation

[00:14:53] with yabashigi um

[00:14:55] because he's actually in the end has

[00:14:57] become less concerned about the barbarian

[00:14:59] and more concerned with the oncoming

[00:15:01] fruitless war that's about zapping

[00:15:03] so you know he's like

[00:15:05] i think he's he jokingly

[00:15:07] ses to his uh

[00:15:09] his aides i think it's time for another will

[00:15:11] so it's just i love that

[00:15:13] you know

[00:15:15] this is kind of consuming

[00:15:17] umie here that

[00:15:19] the barbarian the one that he effectively

[00:15:21] urinated over in episode one

[00:15:23] is now suddenly

[00:15:25] a chief admiral

[00:15:27] a general of

[00:15:29] sort of a very important regiment

[00:15:31] and has now also been given a thief

[00:15:35] yeah so yeah being showered with gifts here

[00:15:39] well it almost feels personal for omie

[00:15:41] it's like as if you know he gets given

[00:15:43] something and then it's taken away from him

[00:15:45] at the last moment and handed over to the barbarian

[00:15:47] yeah but you know he's

[00:15:49] got that quest for power that

[00:15:51] absolutely lust for power and as you say

[00:15:53] in that conversation with yabashigi

[00:15:55] he's looking at him going i just had this kind of regiment

[00:15:57] and yabashigi first he reminding him

[00:15:59] it's not yours it was always mine and now

[00:16:01] turanagas taking it back so it's always been

[00:16:03] tyranagas you know

[00:16:05] then the breaks kids basically is kind of

[00:16:07] the way he's he's saying it because

[00:16:09] yeah why are you worried about one man

[00:16:11] when we've got an onslaught

[00:16:13] coming effectively which we will also

[00:16:15] have to navigate and survive

[00:16:17] but on john himself

[00:16:19] um he doesn't understand why he's getting these honors

[00:16:21] he's standing in front of this entire crowd

[00:16:23] of uh turanagas plan

[00:16:25] effectively everything being translated

[00:16:27] of course by mariko and he's

[00:16:29] just incredulous at this idea that

[00:16:31] you know all he wants is a ship and his men back

[00:16:33] yeah he wants to leave

[00:16:35] japan yeah ultimately

[00:16:37] yeah he wants to leave

[00:16:39] japan in order to fight

[00:16:41] against the and disrupt the portuguese

[00:16:43] operations in this area

[00:16:45] and she feels is aligned with turanagas

[00:16:47] except he doesn't know about the deal

[00:16:49] that turanagas made

[00:16:51] with the priests and the captain

[00:16:53] of the black ship as he was leaving

[00:16:55] a cycle so actually

[00:16:57] you know as and as um

[00:16:59] mariko says you know it is not in the

[00:17:01] interests of turanagas what you are

[00:17:03] asking uh what you want me to

[00:17:05] translate and turanagas is quite clear you know that the

[00:17:09] engine will not be granted his request

[00:17:11] yes he will be guessing these gifts

[00:17:13] whether he likes them or

[00:17:15] or not yeah ultimately

[00:17:17] he doesn't understand them because

[00:17:19] he's said to turanagas in the past

[00:17:21] you know i cannot do what you are asking

[00:17:23] i do love the conversation

[00:17:25] though when uh when uh

[00:17:27] john is going effectively to uh

[00:17:29] where turanagas holding course

[00:17:31] and gets time with them to ask this question

[00:17:33] why do you want me to do this?

[00:17:35] i told you i can provide the service

[00:17:37] that you want me to provide and turanagas

[00:17:39] responses what kind of services

[00:17:41] that you will provide for me

[00:17:43] so again even though all john wants

[00:17:45] is to get his men back in a ship

[00:17:47] back at turanagas going you will

[00:17:49] serve me no matter what way you

[00:17:51] will be of service to me

[00:17:53] which is really good um as part of that

[00:17:55] uh as opposed to him sitting in court

[00:17:57] he also has bontaro come to him to plead

[00:17:59] forgiveness um for

[00:18:01] the slikes that he made last week

[00:18:03] the tacky maiden as wife i suppose

[00:18:05] which um as we said in the last

[00:18:07] episode uh bros dishonor to his household

[00:18:11] and he's being told by turanagas

[00:18:13] he now has to keep his distance from

[00:18:15] mariko for the next seven days but

[00:18:17] bontaro even though he's asking

[00:18:19] for forgiveness here he's effectively

[00:18:21] telling turanagas that there's something

[00:18:23] going on between john and his wife

[00:18:25] mariko he's seen something in her eyes

[00:18:27] he's spent however many years now

[00:18:29] fifteen years probably uh married to her

[00:18:31] maybe ten years married to her

[00:18:33] and during that time all she's been

[00:18:35] as cold as ice to him

[00:18:37] yes when she speaks to john

[00:18:39] he can see a complete difference in how

[00:18:41] she talks to him and how they react

[00:18:43] around each other

[00:18:45] something that he has her husband has never

[00:18:47] that's quite interesting that he's having a conversation and that

[00:18:51] um reminds turanagas to

[00:18:53] effectively challenge

[00:18:55] mariko uh telling her

[00:18:57] she can't see that within his

[00:18:59] clan their clan need to be tight

[00:19:01] their clan need to be together he can't see a

[00:19:03] division being called by john and mariko

[00:19:05] and they need to work

[00:19:07] absolutely absolutely

[00:19:09] and i mean you know he's playing

[00:19:11] it off on both sides in that

[00:19:13] as you say he has that

[00:19:15] frank conversation with mariko

[00:19:17] but he also then says with bon tire

[00:19:19] you know why don't you just divorce him

[00:19:21] you know what are you wanting

[00:19:23] here you know and also

[00:19:25] she's doing what i'm asking

[00:19:27] so this might look strange

[00:19:29] but ultimately i'm asking her to do a juicy

[00:19:31] here which involves the barbarian

[00:19:35] and that's what you need to trust in

[00:19:39] it's for juicy and nothing else

[00:19:41] exactly but it is really interesting

[00:19:43] of course you know as his trans

[00:19:45] leader as john's trans leader

[00:19:47] what bon tire was also probably

[00:19:49] experiencing is there's a certain intimacy

[00:19:51] between the two of them because

[00:19:53] they're both speaking a completely different language

[00:19:55] to each other that nobody else can penetrate

[00:19:57] to nobody else can hear what they're talking about

[00:19:59] they can of course guess

[00:20:01] the information if he's angry or if he's

[00:20:03] saying something that's a joke

[00:20:05] or something like that they can guess part of that

[00:20:07] but between the two of them they have their own

[00:20:09] little bubble between them where they can talk about anything

[00:20:11] and you know you feel from that

[00:20:13] conversation at the end of the dinner table

[00:20:15] in last week's episode

[00:20:17] you feel that bon tire was noticing

[00:20:19] the way that she was talking to john

[00:20:21] and telling him you know

[00:20:23] secrets of their family almost

[00:20:25] telling him how

[00:20:27] not to make bon tire angry

[00:20:29] that kind of thing in the same room as him

[00:20:31] that intimacy will have been seen

[00:20:33] by her husband you know

[00:20:35] which was really interesting

[00:20:37] and i guess then the final movement of

[00:20:39] discussion between the tornaga and moriko

[00:20:41] is that he tells her there's one more gift

[00:20:43] that john needs he needs to be pillaged

[00:20:45] he needs to be taken to

[00:20:47] the tea rooms and that is going

[00:20:49] to be the next reward that he has for

[00:20:51] which is pretty big

[00:20:53] uh... moriko

[00:20:55] and then moriko has to be with him

[00:20:57] has to accompany him in case

[00:20:59] he talks in his sleep

[00:21:01] or talks when he's pillows

[00:21:03] you know

[00:21:05] in order that any kind of

[00:21:07] information or advantage

[00:21:09] is extracted from this pillowing

[00:21:11] yes that's a pretty difficult task

[00:21:13] if you're moriko and again

[00:21:15] we know that she did sleep with john

[00:21:17] already thinking her husband was dead

[00:21:19] she has slept with john before

[00:21:21] and now she's being asked to bring him to a brothel

[00:21:23] and be in the same room as him while he's being

[00:21:25] pillaged

[00:21:27] but i think we should get on to

[00:21:29] bushy day number three the tea rooms

[00:21:31] because yes there is this pillowing

[00:21:33] of

[00:21:35] john blackthorn

[00:21:37] again another interesting thing

[00:21:39] it is with lady kikus

[00:21:41] and her services

[00:21:43] and lady kikus is the quarters

[00:21:45] and for ommy

[00:21:47] so again ommy is kind of like

[00:21:49] you know i think he has a conversation

[00:21:53] with um...

[00:21:55] tornagas son actually

[00:21:57] as they see him returning

[00:21:59] from the night in the tea rooms

[00:22:01] just to jump heads lightly where he says

[00:22:03] he seems very fortunate

[00:22:05] man

[00:22:07] he gets a lot of lucky breaks

[00:22:09] but equally

[00:22:11] again it's almost another slide to ommy

[00:22:15] which i find kind of interesting

[00:22:17] absolutely

[00:22:19] again it's like as if something that he had

[00:22:21] has been taken away from him

[00:22:23] kikus speaks to him beforehand

[00:22:25] she goes to him beforehand and tells him

[00:22:27] about what's happening

[00:22:29] but then they have no contact afterwards

[00:22:31] so she's there but

[00:22:33] let's talk about the other great scene

[00:22:35] in the episode

[00:22:37] the negotiation with jinn

[00:22:39] the leader of the tea room

[00:22:41] where mary co and fougie sit down

[00:22:43] to talk to jinn

[00:22:45] and negotiate the price

[00:22:47] for effectively taking over the tea room

[00:22:49] for the night

[00:22:51] yeah it's just i found this

[00:22:53] and i had three scenes

[00:22:55] this was one of them

[00:22:57] the other one was in the tea house as well

[00:22:59] just so really well observed

[00:23:01] i loved just so that it was

[00:23:03] it was all really done in

[00:23:05] kind of close up

[00:23:07] this negotiation

[00:23:09] from the faces of jinn, fougie

[00:23:11] and mary co

[00:23:13] to the lack of work of cups

[00:23:15] that you know fougie is kind of

[00:23:17] saying oh i'm really sorry we're giving you

[00:23:19] it's almost like the worst

[00:23:21] lack of work cups that we have

[00:23:23] for this tea as they're trying to

[00:23:25] negotiate a price

[00:23:27] for the tea house

[00:23:29] and it's all kind of

[00:23:31] the negotiation is kicking off

[00:23:33] but it's all on a misunderstanding

[00:23:35] in that jinn believes this is for

[00:23:37] tiger and aga

[00:23:39] when in fact it is for the engine

[00:23:41] and

[00:23:43] you know i just kind of love

[00:23:45] how

[00:23:47] once this is revealed

[00:23:49] that it's for the engine

[00:23:51] lady jinn

[00:23:53] asks well would you be joining him

[00:23:55] as you're never seen

[00:23:57] apart and there's just a lovely

[00:23:59] close up of fougie

[00:24:01] taking a sip from the

[00:24:03] cup with this kind of knowing

[00:24:05] look on her face

[00:24:07] almost trying to

[00:24:09] actually suppress a little bit of a green

[00:24:11] and that's what it's like

[00:24:13] oh the tea has been spilled

[00:24:15] yeah it's all kind of

[00:24:17] fairly awkward but it's so

[00:24:19] lovely

[00:24:21] this negotiation between

[00:24:23] with these three women

[00:24:25] oh absolutely but

[00:24:27] suppose this is what's you know

[00:24:29] what's so good in the writing

[00:24:31] here and what's so good in the

[00:24:33] performances here at a surface level

[00:24:35] the conversation that they're having

[00:24:37] is so polite, so lovely

[00:24:39] you know effectively jinn's saying

[00:24:41] to them oh i love the beautiful

[00:24:43] cups that you have here

[00:24:45] but she's looking down on them

[00:24:47] she's saying you know this new house

[00:24:49] with jam black or black

[00:24:51] whatever is like

[00:24:53] it looks a bit shabby

[00:24:55] exactly but of course you know

[00:24:57] to the point fougie's going but actually

[00:24:59] there was just a mod side on the earth

[00:25:01] great so like everybody in the

[00:25:03] ten we're still recovering this is the best we possibly have

[00:25:05] available but you can tell

[00:25:07] underneath the surface of this politeness from jinn

[00:25:09] there is that's like she's trying to

[00:25:11] trying to undermine

[00:25:13] you're not the rich person

[00:25:15] exactly and she introduces the notion

[00:25:17] almost hides things from

[00:25:21] the outside world you know

[00:25:23] it's a safe space

[00:25:25] to keep prying eyes away

[00:25:27] and this is part of news

[00:25:29] why she's asking whether

[00:25:31] mariko is also going to come and having

[00:25:33] that little bar about

[00:25:35] well you never seem

[00:25:37] separated from the engine

[00:25:39] but it's ultimately

[00:25:41] she has been requested

[00:25:43] by a tarnaga

[00:25:45] yeah but

[00:25:47] there is also

[00:25:49] that want of her that you see

[00:25:51] come out here and I think it leads

[00:25:53] to another really

[00:25:57] great moment here once

[00:25:59] black thorn with mariko

[00:26:01] and lady kiko are at

[00:26:03] the tea house

[00:26:05] as kiko explains this willow world

[00:26:09] you know this safe space

[00:26:11] from your present situation

[00:26:13] and to provide a perfect moment

[00:26:15] but it's also subtly

[00:26:17] done because

[00:26:19] she actually

[00:26:21] stands behind

[00:26:23] mariko as she says it so it's almost

[00:26:25] like she's being the voice of mariko

[00:26:27] to john black thorn for her

[00:26:29] like she is interpreting

[00:26:31] their feelings for her

[00:26:33] in a way that mariko said

[00:26:35] she will not do again

[00:26:37] you know

[00:26:39] to you through the words of others

[00:26:41] as i am the interpreter

[00:26:43] and it's all kind of flipped in this scene

[00:26:45] and it is just so

[00:26:47] so

[00:26:49] fantastic and I really like that

[00:26:51] yeah and as she invites

[00:26:53] john black thorn

[00:26:55] through you know she asks

[00:26:57] mariko

[00:26:59] will you also be joining us

[00:27:01] and she

[00:27:03] doesn't but she is

[00:27:05] touched softly by john as he makes his way

[00:27:07] through yes and there's this kind of

[00:27:09] like you know the eyes

[00:27:11] clothes it's like

[00:27:13] breathing out

[00:27:15] of mariko like

[00:27:17] because she's had to be

[00:27:19] so self-discipline she

[00:27:21] knows those rules of the eightfold

[00:27:23] fence are being employed

[00:27:25] massive absolutely yeah

[00:27:27] they're being tested as well because

[00:27:29] again as i mentioned the intimacy

[00:27:31] of being the translator for john

[00:27:33] she's here she's telling him he must

[00:27:35] compliment kiko and her beautiful she looks so she's giving him

[00:27:37] the words to to speak to kiko before

[00:27:41] they go off and pill it together and then as you say

[00:27:43] kiko speaking through her telling john

[00:27:45] to picture the one that he loves

[00:27:47] and then picture her on

[00:27:49] unclothed as well

[00:27:51] as mariko's translating that back to him

[00:27:53] so definitely a hot and bother does she

[00:27:55] say as she's saying that but

[00:27:57] it's also interesting in the back of the conversation

[00:27:59] that they had with tornagga

[00:28:01] this is of course or the discussion that they had

[00:28:03] where she was pushing back against

[00:28:05] translating directly what john was saying

[00:28:07] and then said

[00:28:09] i'm reminded that a translator is here to

[00:28:11] translate and nothing more

[00:28:13] and here she is in court with kiko

[00:28:15] and the tea rooms having to say exactly

[00:28:17] the words the kiko is saying

[00:28:19] but you're right she has asked

[00:28:21] whether she'll join in up but she

[00:28:23] mis-translates that and says to john

[00:28:25] this is

[00:28:27] space for you and you alone

[00:28:29] to him even though tornagga

[00:28:31] effectively said to her you must be in the room in case he talks

[00:28:33] during pillowing right so she made that choice

[00:28:35] herself not to go into the room absolutely

[00:28:37] and kiko was saying to where she can

[00:28:39] yeah exactly so that's interesting

[00:28:41] so i presume she'll tell tornagga that she did

[00:28:43] yeah if and i assume that it's not exactly

[00:28:45] that john so yeah what an interesting scene

[00:28:47] and what a great use again of translation

[00:28:51] we've seen some great examples of this

[00:28:53] throughout the season the first or second

[00:28:55] episode where where john and

[00:28:57] tornagga are first having their discussion

[00:28:59] and we were talking about

[00:29:01] the camera just focusing on john

[00:29:03] and taking the translator out of it so it looked

[00:29:05] like the two of them were talking directly to each other

[00:29:07] and this time taking kiko

[00:29:09] out of it so it looks like mariko

[00:29:11] is talking directly to john saying the real words

[00:29:13] that she wants to say to him but can't

[00:29:15] yeah it's so good it's so

[00:29:17] beautifully observed at this intimacy

[00:29:19] that's kind of can't be said

[00:29:21] and you see the toughness of it for mariko

[00:29:25] and for john say he you know

[00:29:27] he touches her hand you know

[00:29:29] very inappropriate in this moment

[00:29:31] absolutely and you know

[00:29:33] that's his suggestion back to her

[00:29:35] yeah and i just sort of really

[00:29:37] really really good and i think

[00:29:39] yeah i just thought it was fantastic

[00:29:43] TV absolutely

[00:29:45] and you know again the

[00:29:47] the great observation that was made from mariko

[00:29:49] and when she talked about the eightfold fence

[00:29:51] to john where she was saying you know

[00:29:53] you may see all of our rituals

[00:29:55] you may see all of the things that we do

[00:29:57] but realize behind all of that

[00:29:59] there's a lot more to interpret

[00:30:01] so we see that multiple times in this episode

[00:30:03] i think there's a great moment with kiko

[00:30:05] where she's pouring the saki

[00:30:07] and john drinks it you know

[00:30:09] we hear that there's a whole training

[00:30:11] process that goes through how to pour the saki

[00:30:13] she gets another jugger

[00:30:14] of saki brought in by one of the younger girls within the

[00:30:17] the two rooms

[00:30:19] and then there's a discussion between the two and the empty spaces

[00:30:21] you know she points to where the jug used to be

[00:30:23] effectively indicating to the younger

[00:30:25] the younger member of the girls in the two room

[00:30:27] and it will be great if you wear tier

[00:30:29] it'll be great if you were part of that empty space

[00:30:31] get actually

[00:30:33] this is supposed to be an intimate moment between the

[00:30:35] and our clients get out now

[00:30:37] basically and she's thank you very much

[00:30:39] elder so again i love

[00:30:41] the interpretation between the two of them

[00:30:43] you see the subtitles on screen

[00:30:45] and if you were just to read the subtitles

[00:30:47] without the intent behind them

[00:30:49] you wouldn't get them

[00:30:51] this is a really polite dismissal

[00:30:53] get out of here stop listening in

[00:30:55] because you know this is

[00:30:57] the other side of it

[00:30:59] yes they're not getting Lord Taranaga down here

[00:31:01] which would have been a big coup almost for Jin

[00:31:03] she's saying you know

[00:31:05] this isn't like an average tearoum across the country

[00:31:07] when she's in the negotiation she's saying

[00:31:09] this is a very special place

[00:31:11] so she was very open to having Lord Taranaga

[00:31:13] they're not getting him but they are getting the engine

[00:31:15] so everybody in there is really interested

[00:31:17] to know what's going on behind those

[00:31:19] those doors

[00:31:21] so really like that

[00:31:23] these are just such good moments in the tearoum

[00:31:25] we've complemented many departments on the show

[00:31:27] things like you know the filming and the direction

[00:31:29] and the background actors and the cast

[00:31:31] and the writing all that kind of stuff

[00:31:33] but i have one more department to complement here

[00:31:35] i would guess it was the makeup team

[00:31:37] because when we see John return from the tearoum

[00:31:39] the following morning

[00:31:41] he looks red

[00:31:43] he looks like he's had a very long night

[00:31:45] maybe the actor went out and had a few drinks

[00:31:47] before to prepare his face

[00:31:49] to look like he has been awake all night

[00:31:51] but he looks like he's had a very good night with kiku

[00:31:53] and looks very disorientated when he comes out the following morning

[00:31:57] so well done makeup crew

[00:31:59] absolutely absolutely

[00:32:01] let's go on to basheeda number four

[00:32:03] let's return to Asaka

[00:32:05] even though all of these

[00:32:07] more personal moments are happening

[00:32:09] in the fishing village

[00:32:11] with Taranaga

[00:32:13] in Asaka there's quite big movements going on

[00:32:15] represented here

[00:32:17] with the play that's being put on

[00:32:19] and it seems like it's being put on for lady as she

[00:32:21] but and it's weird

[00:32:23] i probably never thought about this before

[00:32:25] but in earlier times of kings and queens

[00:32:27] you absolutely would have plays being written

[00:32:29] about their lives

[00:32:31] and performed directly in front of them

[00:32:33] yeah exactly

[00:32:35] but here it's just the uncomfortableness of what's actually happening

[00:32:37] on stage in front of Ashib

[00:32:39] it's talking about the fact that she is

[00:32:41] the mother of the future air of Japan

[00:32:43] and how she got into that position

[00:32:45] and how she became the consort of the taiko

[00:32:49] but it feels really awkward to watch her watch to play

[00:32:53] yeah absolutely

[00:32:55] i loved all this

[00:32:57] kind of the machinations of court

[00:32:59] and it's kind of playing out with

[00:33:01] i think it's kabuki

[00:33:03] the the the the performances

[00:33:05] with i think the no performances

[00:33:07] and you have

[00:33:09] you know on a number of different levels here

[00:33:11] it's telling

[00:33:13] the court of lady ashib

[00:33:15] is success here really for providing

[00:33:19] the taiko and air

[00:33:21] it's also the ashib

[00:33:22] and lady ashib

[00:33:23] are trying to

[00:33:25] and

[00:33:26] woo lord

[00:33:27] ito and so you have that fantastic thing after the play

[00:33:31] where they effectively

[00:33:33] are recruiting as a nomination for the council of regents

[00:33:37] and

[00:33:39] also within the play

[00:33:41] from the audience perspective

[00:33:43] you have you know everyone is yes

[00:33:45] juicifully looking on

[00:33:47] at this fantastic performance by lord

[00:33:49] iso and

[00:33:51] the story of how the taiko got an air

[00:33:55] but you

[00:33:57] have

[00:33:59] the two Christian regents

[00:34:01] in Sugiyama

[00:34:03] and Kiyama

[00:34:05] talking about how

[00:34:07] they'll always be hostages now

[00:34:09] because what's happened

[00:34:11] is they're holding all the

[00:34:13] regents hostage in a saga

[00:34:15] because of potential threat

[00:34:17] to the air

[00:34:19] and also

[00:34:21] last week that was the lady as she

[00:34:23] set up effective

[00:34:25] and also to force a vote against

[00:34:27] turanaga

[00:34:29] we see actually

[00:34:31] slightly earlier here are matsu

[00:34:33] escaping to war and turanaga

[00:34:35] from

[00:34:37] from a saga

[00:34:39] but you know within the play as

[00:34:41] eight these two

[00:34:43] the two Christian regents

[00:34:45] but also you have the

[00:34:47] dion lady io

[00:34:49] the

[00:34:51] then talking with lady as she

[00:34:53] about

[00:34:55] you know as she do is good

[00:34:57] but he's not great

[00:34:59] you know is this the alliance that you really want to

[00:35:01] sort of see in your hopes too

[00:35:03] and you have these flashbacks

[00:35:05] then through

[00:35:07] throughout the kabuki play

[00:35:09] seeing ashibe effectively

[00:35:11] the story playing out

[00:35:13] as it is being depicted

[00:35:15] by the actors

[00:35:17] and it's just really

[00:35:19] really good you know

[00:35:21] but i think that's what makes

[00:35:23] it so difficult to watch as well

[00:35:25] because seeing the real story

[00:35:27] exactly what must be going on as she

[00:35:29] has heard you know

[00:35:31] the who's interpreting it

[00:35:33] as this great moment in the history of

[00:35:35] Japan where the air was conceived

[00:35:37] and where i became the only person

[00:35:39] who could give a given you air

[00:35:41] and she's flashing back to how

[00:35:43] awful it was for her.

[00:35:45] She was effectively

[00:35:47] the daughter of the previous leader

[00:35:49] of Japan who has been

[00:35:51] now co-opted by the new tyco

[00:35:53] and being told

[00:35:55] you effectively have to bet him

[00:35:57] and i'm not 100% sure in the translation

[00:35:59] it's a bit better for me

[00:36:01] but she gets the title of

[00:36:03] ashibe no tada

[00:36:05] which i think means no title

[00:36:07] i'm not 100% sure

[00:36:09] it's almost like she's being told

[00:36:11] everything you have in the past

[00:36:13] as ruri is being removed away from you

[00:36:15] you now have a new title

[00:36:17] you're not the queen

[00:36:19] you're not the new leader's wife

[00:36:21] you are just the person who's there

[00:36:23] to give him an air and if you do

[00:36:25] then you will have a place in court

[00:36:27] the new leader of the country is

[00:36:29] betting her to

[00:36:31] deliver a new air and

[00:36:33] you even see the awful

[00:36:35] sex scene between her

[00:36:37] and the tyco

[00:36:39] and you hear later about how

[00:36:41] she was fed different herbs

[00:36:43] and concoctions in order

[00:36:45] to effectively

[00:36:47] numb her in a sense

[00:36:49] to sort of

[00:36:51] in order for this to happen

[00:36:53] i think again

[00:36:55] this happens and we have

[00:36:57] lordeito being nominated

[00:36:59] and brought forward for the council

[00:37:01] you have these

[00:37:03] kind of

[00:37:05] mechanisms and playing out

[00:37:07] but the other

[00:37:09] lovely thing

[00:37:11] about the whole

[00:37:13] range of scenes in a sacca

[00:37:15] and again i think it's

[00:37:17] just really wonderfully observed

[00:37:19] is this

[00:37:21] alliance or relationship

[00:37:23] with the

[00:37:25] relationship

[00:37:27] and lady

[00:37:29] achiever

[00:37:31] because you know

[00:37:33] she is almost kind of like an amit

[00:37:35] with her to some extent

[00:37:37] he's kind of really intrigued

[00:37:39] you know

[00:37:41] why she has such a hatred

[00:37:43] of tyrannaga and she's not

[00:37:45] you know earlier on in the episode

[00:37:47] she doesn't tell him but she says

[00:37:49] if you eliminate him

[00:37:51] if you are able to eliminate him

[00:37:53] and you know

[00:37:55] but also kind of saying

[00:37:57] you don't know what europe

[00:37:59] against even this

[00:38:01] you know

[00:38:03] it's lady eos sort of

[00:38:05] concerns about who she is

[00:38:07] allying with

[00:38:09] is almost like she actually says that

[00:38:11] that you know

[00:38:13] you don't know what europe

[00:38:15] against

[00:38:17] and you need me

[00:38:19] exactly who tyrannaga is

[00:38:21] and like as this goes through

[00:38:23] the episode she does tell

[00:38:25] a she do she says

[00:38:27] i saw him plotting

[00:38:29] and talking whispering

[00:38:31] and yes

[00:38:33] it was jinsai who killed my father

[00:38:35] yes but i blame tyrannaga

[00:38:37] and or jinsai is already gone

[00:38:41] he still has to answer for the death of my father

[00:38:43] this is revenge here

[00:38:45] and this is so fiery revenge

[00:38:47] it really is

[00:38:49] just underneath the surface

[00:38:51] and again cutting it back to the play

[00:38:53] the players putting this all on stage

[00:38:55] if it's this beautiful moment

[00:38:57] that led to the future of japan

[00:38:59] and on juneith you can see it burning in it

[00:39:01] because she has these memories of what actually happens

[00:39:03] she wants revenge on a person

[00:39:05] who led to the death of her family

[00:39:07] she goes it's torn an aggo

[00:39:09] who planned my father's death

[00:39:11] and it banked it

[00:39:13] episode one

[00:39:15] it's so successful in a place like this

[00:39:17] that you have a druga saying

[00:39:19] to john blackthorn

[00:39:21] she says his secret heart

[00:39:23] is not a secret to me

[00:39:25] she understands torn aggo

[00:39:27] perfectly

[00:39:29] at least she thinks she does

[00:39:31] from her perspective

[00:39:33] so this is really interesting

[00:39:35] it's like

[00:39:37] this is the true match up

[00:39:39] in a sense that's happening here

[00:39:41] and it's so well done

[00:39:43] her face

[00:39:45] it's almost passive

[00:39:47] aggressiveness that she has this veil

[00:39:49] of

[00:39:51] serenity

[00:39:53] she talks about revenge

[00:39:55] in the most sort of

[00:39:57] neutral of way

[00:39:59] but I'm bound by the customs

[00:40:01] and rules

[00:40:03] I need to just so again

[00:40:05] well observe

[00:40:07] all of this

[00:40:09] is played

[00:40:11] the camera is used

[00:40:13] the rising

[00:40:15] the performances

[00:40:17] it's so so good

[00:40:19] I absolutely loved this

[00:40:21] yeah really good

[00:40:23] but it doesn't all go to plan

[00:40:25] they've now brought in lordito

[00:40:27] to be the fifth member of the cancel

[00:40:29] which allows them to

[00:40:31] hopefully

[00:40:33] now all be allied

[00:40:35] and take out torn aggo to

[00:40:37] impeach him effectively

[00:40:39] he's going to effectively be a

[00:40:41] puppet of

[00:40:43] Ashido and is not willing to accept that

[00:40:45] so he's the one that blocks it

[00:40:47] they've pushed

[00:40:49] the new puppet in place lordito

[00:40:51] instantly says yes absolutely

[00:40:53] impeach

[00:40:55] to her aggo effectively he knows that's why he's there

[00:40:57] but it goes around the room and gets to sugarma

[00:40:59] we saw the breakdown of this

[00:41:01] group

[00:41:03] in last week's episode where they were no longer able to agree on things

[00:41:05] and sometimes no longer sitting in the same room

[00:41:07] they're realizing

[00:41:09] if he does this vote

[00:41:11] that they've all talked about many many times

[00:41:13] to impeach

[00:41:15] to him to impeach to her aggo

[00:41:17] if he does this vote then

[00:41:19] he will forever be a slave to

[00:41:21] to that's it and yet you have

[00:41:23] Kiyama and Ono

[00:41:25] towing the line here

[00:41:27] and ultimately

[00:41:29] it means that

[00:41:31] Ashiba is growing impatient

[00:41:33] and so we have

[00:41:35] lordito on to the council

[00:41:37] effectively gets

[00:41:39] sugarma

[00:41:41] slaying along with his family

[00:41:43] who knows how the rest of his clan

[00:41:45] and his clan alliances go

[00:41:47] but this is

[00:41:49] in effect

[00:41:51] you know a coup of the council

[00:41:53] and the harmony

[00:41:55] that was supposed to be there

[00:41:57] and how the council was supposed

[00:41:59] to operate yes

[00:42:01] but they've done it again they've removed another member

[00:42:03] of the council of five that must vote

[00:42:05] there must to be a vote of five people

[00:42:07] on this council to impeach

[00:42:09] uh the torenaga and they've killed

[00:42:11] sugiyama so now they have to find another replacement for sugiyama on this council

[00:42:15] so that they can impeach uh torenaga

[00:42:17] so that's quite interesting i like that twist again you know

[00:42:20] it kind of feels like the taiko had all of this in his head

[00:42:23] when he made the council of regions

[00:42:25] if they can't work together

[00:42:27] and are unable to all five of them come to decisions

[00:42:29] then everything will still

[00:42:31] and that's part of the plan that he had in place

[00:42:33] if torenaga wasn't going to accept

[00:42:35] to be so lived of a japan when he made that offer to him

[00:42:37] which we saw back in chapter two

[00:42:39] um

[00:42:41] then i'll make this stalemate

[00:42:43] between the five leaders who must work together

[00:42:45] or else

[00:42:47] there will be consequences

[00:42:49] they must have five of them at all times working together

[00:42:51] absolutely it's all buying torenaga

[00:42:53] time more and more

[00:42:55] and more and more time

[00:42:57] exactly

[00:42:59] really really interesting

[00:43:01] let's talk about torenaga in our final baschido

[00:43:03] baschido five

[00:43:05] um because we hear a lot of talk about crimson sky

[00:43:07] so i guess it's to crimson sky

[00:43:09] or not to crimson sky

[00:43:11] that is the question

[00:43:13] well that's it i mean like earlier on

[00:43:15] so we have here a matzu

[00:43:17] returning from

[00:43:19] a sakya and sort of falling off the horse

[00:43:21] in the village of viziro

[00:43:23] and then being you know

[00:43:25] immediately there's a council that goes on

[00:43:27] and he talks about it is time to invoke a long

[00:43:31] you know plotted plan of crimson sky

[00:43:35] which is effectively to eliminate

[00:43:37] the regents and install a new government

[00:43:39] and you have

[00:43:41] torenaga's sun being up for this

[00:43:43] you know

[00:43:45] to um be the sole

[00:43:47] region the shogun

[00:43:49] the reclaiming of the

[00:43:51] family birthright

[00:43:53] of shogun and

[00:43:55] the torenaga sun would just do a heartbeat anyway

[00:43:57] it wouldn't do it that way

[00:43:59] planning keep you running into a sakya you know claiming

[00:44:01] i am the shogun give me my parar

[00:44:03] it is the umpulsiveness of it

[00:44:05] and torenaga is not convinced

[00:44:07] i do really like here that he

[00:44:09] just

[00:44:11] asks omie here

[00:44:13] about

[00:44:15] this and who effectively cautions against it

[00:44:17] is why risk

[00:44:19] open warfare when we still have time

[00:44:21] again making the point about

[00:44:23] we have time on our side at the moment

[00:44:25] no one has come from a sakya

[00:44:27] to meet them in the battlefield

[00:44:29] yes they've

[00:44:31] lost many soldiers from the mod slides

[00:44:33] but they're still not

[00:44:35] in open warfare

[00:44:37] why attack this huge sittered out

[00:44:39] of a sakya fortress which is

[00:44:41] you know

[00:44:43] going to cost more lives

[00:44:45] and

[00:44:47] when we have the time

[00:44:49] so you know it's too risky

[00:44:51] to try to do crimson sky and it

[00:44:53] torenaga seemingly takes that

[00:44:55] on board and says

[00:44:57] it's not time for crimson sky

[00:44:59] at this moment

[00:45:01] this is also omie's

[00:45:03] misalignment i guess with torenaga

[00:45:05] i think this is why omie is

[00:45:07] cautioning against it because

[00:45:09] if they go to war

[00:45:11] he has to take that side

[00:45:13] torenaga side and he has to fight

[00:45:15] with an like a banner man

[00:45:17] exactly wood but

[00:45:19] the gifts that have been bestowed upon him

[00:45:21] by torenaga are taken away

[00:45:23] and the position that he has in his own village

[00:45:25] as the partner of kiku

[00:45:27] is also been stripped from because that's been given to john

[00:45:29] so i think

[00:45:31] parts of omie's opinion is coming from him being

[00:45:33] not as aligned with it

[00:45:35] it's too fold

[00:45:37] his motivation is from a different place

[00:45:39] but the outcome of it

[00:45:41] aligns with torenaga's

[00:45:43] which is more time

[00:45:45] because ultimately when

[00:45:47] crimson sky is in

[00:45:49] vote it is coming after

[00:45:51] sugianna's death

[00:45:53] because

[00:45:55] there is a motion that

[00:45:57] then it will accelerate to get

[00:45:59] a fifth member on the council

[00:46:01] and then there is a delay here

[00:46:03] from that because

[00:46:05] the other regents will be

[00:46:07] absolutely petrified

[00:46:09] they are currently hostages

[00:46:11] in the socket

[00:46:13] so the pressure

[00:46:15] is being

[00:46:17] put to bear on the remaining regents

[00:46:19] you know

[00:46:21] lady ishiibe's impatience

[00:46:23] is adding this pressure

[00:46:25] squeezing

[00:46:27] forcing the issue

[00:46:29] and so for torenaga

[00:46:31] it's

[00:46:33] if i'm going to be falsely impeached

[00:46:35] i'm looking for no honors he says

[00:46:37] i'm looking for no titles

[00:46:39] or wealth

[00:46:41] but if the traitor threatens the air

[00:46:43] especially as sugianna has just been killed

[00:46:45] so it will be

[00:46:47] crimson sky here

[00:46:49] and interestingly

[00:46:51] then we also hear

[00:46:53] that he will ask

[00:46:55] his half brother for support

[00:46:57] to provide

[00:46:59] his army to his cause

[00:47:01] yeah which is

[00:47:03] yes an option here you know

[00:47:05] after the earthquake and looks like

[00:47:07] some of his army so he does have some allies

[00:47:09] that he needs to get in contact with

[00:47:11] which i guess is

[00:47:13] interesting you know

[00:47:15] given that we had the five leaders

[00:47:17] of the plans members of the regent

[00:47:19] of the cancel of regents

[00:47:21] and torenaga splitting off from that

[00:47:23] and you felt he's pretty isolated

[00:47:25] he's on his own they at least have those four armies

[00:47:27] that could go up together against torenaga

[00:47:29] at least he had possibly

[00:47:31] has an ally that he can reach out to

[00:47:33] swell it's supposed

[00:47:35] the army that he has

[00:47:37] because it would feel quite small going up against the saca

[00:47:39] armies absolutely and

[00:47:41] interestingly you know

[00:47:43] in terms of this decision to invoke crimson sky

[00:47:45] he uses sugiama as a pre

[00:47:47] pretext for it

[00:47:49] but what we see earlier is

[00:47:51] tarenaga talking

[00:47:53] to uh

[00:47:55] mirico about

[00:47:57] lady ishibe he knows that they used to be friends

[00:47:59] you know why is she turned against us

[00:48:03] and believes

[00:48:05] that she wars

[00:48:07] without honor

[00:48:09] you know well you are all men

[00:48:11] you go to war for conquest

[00:48:13] power

[00:48:15] pride

[00:48:17] women

[00:48:19] at this time

[00:48:21] we are simply at war

[00:48:23] she is how to use the tools that she can

[00:48:25] and only she can

[00:48:27] for her war

[00:48:29] he sees her being dishonorable

[00:48:31] she is how to use men

[00:48:33] for herself

[00:48:35] without seemingly using men

[00:48:37] because she is a woman

[00:48:39] so there's this

[00:48:41] notion of this conflict

[00:48:43] this battle that women are constantly in

[00:48:45] so that is why she operates

[00:48:47] in these ways

[00:48:49] but we have also that

[00:48:51] tarenaga saying that

[00:48:53] you know

[00:48:55] we get this

[00:48:57] reveal of

[00:48:59] mirico's father's plan was always to keep her

[00:49:01] separate from the fight

[00:49:03] putting her off the chess board

[00:49:05] until she's not

[00:49:07] which is really important

[00:49:09] and so that she may finish it

[00:49:11] no he's here

[00:49:13] he says to it

[00:49:15] your war is not over

[00:49:17] you have not failed him

[00:49:19] she feels she's failed him

[00:49:21] she's still asking

[00:49:23] all these conversations around taking her own life

[00:49:25] the point are

[00:49:27] won't allow it

[00:49:29] you

[00:49:31] you know

[00:49:33] and we'll be take up

[00:49:35] the honor and juicy

[00:49:37] that her father

[00:49:39] subtly

[00:49:41] bestowed upon her by marrying her to

[00:49:43] a worthless plan

[00:49:45] and alliance

[00:49:47] just to keep her

[00:49:49] out of the way until her

[00:49:51] purse comes around

[00:49:53] yeah i really like this

[00:49:55] and as i said earlier on

[00:49:57] as we discussed

[00:49:59] the fact that

[00:50:01] marico has gone through her entire life

[00:50:03] and this awful marriage

[00:50:05] to puntairo thinking

[00:50:07] her father was just getting rid of her from the court

[00:50:09] when actually he was protecting her

[00:50:11] for a future purpose

[00:50:13] not just protecting her to keep her alive

[00:50:15] and putting the little woman behind a man

[00:50:17] to keep her safe

[00:50:19] not just that

[00:50:21] he was putting this warrior

[00:50:23] we saw her training with the naganata

[00:50:25] earlier on

[00:50:27] putting her behind a man

[00:50:29] which may have been what she thought was happening

[00:50:31] he was putting her there to keep her safe

[00:50:33] so that when in the future

[00:50:35] it was required to take

[00:50:37] then the new leader of Japan

[00:50:39] as she though in this case

[00:50:41] she would be there ready to go and be on the side of

[00:50:43] the naganata so yeah

[00:50:45] really love that little recognition

[00:50:47] and seeing the reaction on marico's face

[00:50:49] when she has the plot revealed to her

[00:50:51] I thought was just really well

[00:50:53] really well done

[00:50:55] it is to crimson sky

[00:50:57] so yeah really good

[00:50:59] excellent I think that's it for the episode

[00:51:01] there's loads in there

[00:51:03] and we have talked quite a long time about this episode

[00:51:05] because it just so much going on

[00:51:07] at so many great moments

[00:51:09] and they're really really enjoyed

[00:51:11] other than that jundi

[00:51:13] and he notes other than the main points of the topic

[00:51:15] just one quick one

[00:51:17] and that's you know

[00:51:19] we see we do have a brief scene

[00:51:21] with the

[00:51:23] noticing the political shift in Osaka

[00:51:25] so he's been refused from the gates

[00:51:27] the main

[00:51:29] emissary

[00:51:31] here of the Jesuit Order

[00:51:33] of Portugal

[00:51:35] and his

[00:51:37] number two effectively

[00:51:39] they are talking about

[00:51:41] it being time to ally with Tarenaga

[00:51:43] because lady is she

[00:51:45] but also hates christians

[00:51:47] we find out here

[00:51:49] and they can see

[00:51:51] the attack on Tarenaga

[00:51:53] has accelerated since her return

[00:51:55] that she you know

[00:51:57] they note that she hates him

[00:51:59] that she is a child of a murdered busho

[00:52:01] so they realize

[00:52:03] the politics that she can have here

[00:52:05] at least

[00:52:07] the younger priest does

[00:52:09] and I do like

[00:52:11] the fact that when he suggests

[00:52:13] they need to ally

[00:52:15] with Tarenaga

[00:52:17] the head emissary

[00:52:19] and

[00:52:21] we need to pray on this

[00:52:23] you know let us pray on this

[00:52:25] because seemingly

[00:52:27] it would be

[00:52:29] unchristian

[00:52:31] to sort of do this

[00:52:33] but let us pray

[00:52:35] maybe

[00:52:37] we will be told to do it by

[00:52:39] God and therefore

[00:52:41] it's fine

[00:52:43] so pretend to pray

[00:52:45] pretend to get the word

[00:52:47] strategic thing to do

[00:52:49] exactly

[00:52:51] so I kind of like

[00:52:53] that ultimately

[00:52:55] Portuguese

[00:52:57] emissaries here

[00:52:59] in the form of the priests

[00:53:01] are now increasingly looking

[00:53:03] at the need to ally

[00:53:05] with Tarenaga

[00:53:07] yes interesting

[00:53:09] absolutely

[00:53:11] absolutely that part of the story

[00:53:13] plays out in the future

[00:53:15] sheba here

[00:53:17] sheba is the daughter of the

[00:53:19] mad king again

[00:53:21] we have seen play

[00:53:23] in many other forms

[00:53:25] again

[00:53:27] one of those stories

[00:53:29] when she was coming back

[00:53:31] after being sent away

[00:53:33] when her father

[00:53:35] was slayed

[00:53:37] so I kind of like

[00:53:39] that she is coming back

[00:53:41] with revenge

[00:53:43] and she does have a little bit of that crazy madness behind the eyes as well that she could want to level the entire palace if people don't do what she did

[00:53:45] what she wants them to do so

[00:53:47] while she's not on the castle

[00:53:49] they're working for her now and if somebody gets in the way

[00:53:51] she'll get rid of them effectively

[00:53:53] so that's

[00:53:55] partly why I guess

[00:53:57] Sugiyama and his family were

[00:53:59] were fully killed

[00:54:01] but also interesting just want to make a note of this as well

[00:54:03] her about to who

[00:54:05] ran to Tarenaga to tell him the news

[00:54:07] of what was going on in the saga

[00:54:09] he did leave the rest of his family behind

[00:54:11] so that he could make

[00:54:13] Tarenaga his daughter

[00:54:15] I think his pregnant couldn't get on the horse

[00:54:17] as he's trying to escape

[00:54:19] and they're effectively saying

[00:54:21] well you need to go

[00:54:23] but they're left behind in a saga

[00:54:25] which is very dangerous place to be at the moment i think

[00:54:27] especially for someone that's allied with Tarenaga

[00:54:29] absolutely

[00:54:31] good stuff John overall any final thoughts on the episode

[00:54:33] and I absolutely loved this episode

[00:54:37] I'd give it 5 fluffy nilowings

[00:54:39] out of 5

[00:54:41] so

[00:54:43] that was

[00:54:45] brilliantly done I mean I actually think this is really

[00:54:47] exceptional performance is nuanced subtlety

[00:54:51] and within the observations being done by

[00:54:55] the performers here in these different

[00:54:57] and these different scenes as i said

[00:55:01] at the T House

[00:55:03] negotiating for the T House

[00:55:05] I think in a saga with Lady Ashiba

[00:55:07] you know

[00:55:09] I think

[00:55:11] even in the flashback

[00:55:13] with Lord Ashakaishi Jinsai

[00:55:17] and his daughter Mariko

[00:55:19] and you know

[00:55:21] really really good

[00:55:23] I just think you know the directing

[00:55:25] really good

[00:55:27] the writing really good

[00:55:29] everything is just superb about this show

[00:55:31] so yeah 5 fluffy nilowings

[00:55:33] out of 5

[00:55:35] absolutely and the makeup on John

[00:55:37] let's give that a straight ahead again

[00:55:39] great stuff

[00:55:41] let's head over and get some feedback from our wonderful fellow warriors

[00:55:45] yes so we have some feedback in on chapter 5

[00:55:47] of Shogun first up we got an email in from Penny Lennax who says greetings there can John

[00:55:51] I love this show so much

[00:55:53] I wake up and choose the mornings and say

[00:55:55] oh new Shogun episode today

[00:55:57] I'm so glad you decide to cover it

[00:55:59] on the official Shogun podcast just a mark says the Buntaro Trudy

[00:56:01] loves Mariko Sama

[00:56:03] and describes his motivation as a deep need

[00:56:05] I don't see that at all in his actions or a manner with her

[00:56:09] he seems to resent her and in that dinner scene he humiliated her

[00:56:11] physical violence and special abuse

[00:56:13] don't seem like love to me

[00:56:15] nor does shooting those arrows so close to her face

[00:56:17] what do you guys think?

[00:56:19] maybe episode 6 will make this more clear

[00:56:21] I understand that there are language and cultural barriers to communication

[00:56:23] but in the few days it took for the phasen to get truly maloderous

[00:56:25] and frighten the rest of the village

[00:56:27] could Fuji Sama not have had

[00:56:29] Mariko Sama translator concerns to Blackthorn

[00:56:31] simple communication would have averaged some tragedy

[00:56:33] with this society's apparent belief in curses and bad omens

[00:56:37] I predict that the village will blame Blackthorn

[00:56:39] and his stinky phasen for the earthquake

[00:56:41] the opening title sequence is absolutely beautiful

[00:56:43] I wanted to give a shout out to Elastica who designed the sequence

[00:56:47] and composers Adakus Ross, Leopold Ross

[00:56:49] and Nick Tuba who scored it

[00:56:51] keep up the great podcasting penny

[00:56:53] that opening sequence is absolutely gorgeous

[00:56:55] isn't it?

[00:56:57] oh absolutely love watching it

[00:56:59] it really is i mean

[00:57:01] I love the music and i mean i think with Atakus Ross

[00:57:03] I love just like the electronic elements

[00:57:07] and synthesizer elements

[00:57:09] that he brings into

[00:57:11] the scores like he's done many a time

[00:57:13] such as with Watchman, with Trent Resner

[00:57:15] yeah of course

[00:57:17] Trent Resner and Atakus Ross being a real duo

[00:57:21] in scoring

[00:57:23] of different TV and movie themes

[00:57:25] yeah i think they started up with social networking

[00:57:27] and they've been doing loads and loads of stuff

[00:57:29] yeah so you know it's interesting

[00:57:31] Trent Resner is not on this

[00:57:33] but you can still sense some of that sort of deep

[00:57:37] dark synthesizer element to this

[00:57:41] toward the end of that opening sequence

[00:57:43] which is really good

[00:57:45] for sure

[00:57:47] it is isn't it?

[00:57:49] Buntaro is just like

[00:57:51] truly awful here

[00:57:53] and i mean i think that's

[00:57:55] the weirdness about it

[00:57:57] it's interesting that

[00:57:59] Justin Marx says that you know he does truly

[00:58:01] love Mariko

[00:58:03] so i think he'll be interested

[00:58:05] to see what comes up over the next few episodes

[00:58:07] yeah i feel like that's a premature comment

[00:58:11] to put on the

[00:58:13] official podcast from Justin Marx

[00:58:15] i think we haven't seen that on screen

[00:58:17] from Buntaro at all

[00:58:19] not at all

[00:58:21] we've almost seen him look at Moriko as a possession

[00:58:23] she's a lower class of human to him almost

[00:58:25] yeah i mean to your point Penny

[00:58:27] yeah i would have similar kind of

[00:58:31] view around Buntaro that he

[00:58:33] resents her it's like he resents the position

[00:58:37] that he's been put in with her

[00:58:39] this kind of arranged marriage

[00:58:41] which in a sense is no fault of his

[00:58:43] with that arrangement coming from

[00:58:47] you know

[00:58:49] fathers and dare i say

[00:58:51] taranaga potentially

[00:58:53] so i think his position is not great

[00:58:57] but he's certainly not

[00:58:59] sharad himself with sympathy because yes

[00:59:03] you know he has demonstrated that physical violence

[00:59:07] and abuse to her

[00:59:09] and so i mean i would agree

[00:59:11] with your interpretation

[00:59:13] it's certainly mine as well

[00:59:15] yeah yeah agreed and you know it's kind of

[00:59:17] like he has that complete resentment to her every

[00:59:19] story in this episode of what it is

[00:59:21] that mariko has been

[00:59:23] carrying from her past

[00:59:25] what she's been blamed for her father being

[00:59:27] being the killer of the last

[00:59:29] leader of japan effectively

[00:59:31] so prior to the tyco

[00:59:33] so it's like as if he's looking at her

[00:59:35] going you've ruined my reputation

[00:59:37] from the start so you've been

[00:59:39] married into my family and i've had to carry

[00:59:41] the shame of who you are

[00:59:43] and all you ever want to do is kill yourself

[00:59:45] kind of thing so

[00:59:47] don't see it in these episodes

[00:59:49] yes but no absolutely

[00:59:51] potentially there's something there in the future

[00:59:53] but i don't know why we don't know

[00:59:55] how we as an audience would have

[00:59:57] perceived that from puntera's action

[00:59:59] so far yeah exactly and i mean maybe

[01:00:01] it's the constraints of society on him

[01:00:03] as well you know

[01:00:05] and that is what has bred

[01:00:07] the resentment but surely

[01:00:09] you know in private

[01:00:11] he wouldn't need to demonstrate that

[01:00:13] or you know

[01:00:15] have some kind of discourse

[01:00:17] it just seems that the

[01:00:19] conversations between the two of them are so

[01:00:21] ten yes and all

[01:00:23] could and i'm really

[01:00:25] scared of him in a way like yeah

[01:00:27] absolutely she's very strong

[01:00:29] but she said to jump black

[01:00:31] the one before he even arrived in the house

[01:00:33] make sure you treat him with the respect

[01:00:35] he deserves because he can get

[01:00:37] very angry and then once he starts getting drunk

[01:00:39] it's watch out he's angry

[01:00:41] he's drunk he won't take any

[01:00:43] crap from you

[01:00:45] he's telling the story that he asks

[01:00:47] he's telling basically so

[01:00:49] i think as stinky fesans go

[01:00:51] it's interesting it got so

[01:00:53] stinky to be honest

[01:00:55] i think it was because they were hanging

[01:00:57] outside in the rain

[01:00:59] the village of arijo does seem

[01:01:01] to be very wet

[01:01:03] it is very very wet

[01:01:05] it's like Britain in Japan

[01:01:07] it is really

[01:01:09] so i think it's because

[01:01:11] ultimately because i do remember

[01:01:13] having fesans hanging

[01:01:15] and it affects

[01:01:25] really to age them but you do it in the dry and cold so that they don't stink

[01:01:29] i wonder if you got them first as well

[01:01:33] i can't remember now it's such a long time ago

[01:01:35] i wonder if we're supposed to take it that jump black

[01:01:37] they might think he is but these are not

[01:01:39] shes at all exactly but i

[01:01:41] guess from Fuji's point of view

[01:01:43] she's doing what

[01:01:45] her master commands

[01:01:47] i guess what her what jump black

[01:01:49] throwing commands the master of the household

[01:01:51] and so she would

[01:01:53] would she have the conversation with marico to explain to him that

[01:01:57] everybody here doesn't want to touch us

[01:01:59] you said if anybody touches it they die

[01:02:01] i guess it could have resolved the issue

[01:02:03] absolutely but

[01:02:04] again we're seeing the two different

[01:02:06] cultures last year and his

[01:02:08] misspeaking of

[01:02:10] anybody who touches it will die leads

[01:02:12] to this terrible tragedy in the household so

[01:02:14] so yes it would have cleared it up

[01:02:16] absolutely if they had that conversation but

[01:02:18] it's only a few days i think it's only two days or so

[01:02:20] marico has got her hands full with the return of her husband

[01:02:22] so yeah thanks so much penny for the feedback

[01:02:26] really glad you're enjoying the podcast and following along with us

[01:02:28] absolutely absolutely speaking of

[01:02:30] a terror the one thing i found out this week

[01:02:32] that like for some reason i didn't realize when we were

[01:02:34] broadcasting about that but these episodes that

[01:02:36] puntero is actually Fuji's uncle

[01:02:38] okay yeah no i hadn't really grasped that either but

[01:02:42] it makes sense with her marimozo as well

[01:02:46] and being her granddad

[01:02:50] or great uncle or so whatever it is

[01:02:52] yeah so um yeah

[01:02:54] draw at these family trees some while

[01:02:56] absolutely it's i guess a bit like european rule families

[01:03:00] it's very intertwined

[01:03:02] it could be but thanks so much again penny

[01:03:06] we also got an email from victor who says

[01:03:10] yo warriors wow peasant's sure had it

[01:03:14] off in 1600s Japan i guess almost clear

[01:03:18] the battlefield lord toranaga may have coined the phrase

[01:03:22] keep your friends close and enemies closer

[01:03:24] in reference to yabashige

[01:03:26] i can't say i'm a fan of jb's culinary skills

[01:03:30] but it was the plan for the peasant

[01:03:32] the jb untaro saki laced inner showdown was both amusing

[01:03:36] and a bit harrowing

[01:03:38] but taro surely is a master samurai

[01:03:40] if you could hit that gate post twice

[01:03:42] or surprise you could even draw the bow

[01:03:44] not much of a husband by western's terms

[01:03:48] hmm the delivery of joseon's head to ishido

[01:03:52] reminds me of the luke brazi

[01:03:54] sleeps with the fishes seen from the godfather

[01:03:56] the cinematography of the quake and mudslide were amazing

[01:04:00] it looks like taro naga lost most of his army

[01:04:04] what now

[01:04:06] lady ishiba seems quite the dragon lady seizing power

[01:04:08] this series has me totally enthralled

[01:04:10] sianara had a moto vondume

[01:04:12] thanks so much victor for the feedback

[01:04:14] i think the plan for the peasant was probably just to agit

[01:04:18] gusset and then probably pluck it in roaster

[01:04:20] and then pluck it in roaster

[01:04:22] and then pluck it in roaster

[01:04:24] that's what i would be thinking

[01:04:26] i think he possibly just wasn't at his home for long enough

[01:04:32] he really seemed to be around as it was

[01:04:34] getting rotten from the damp wet weather

[01:04:36] for sure

[01:04:38] i think totally agree

[01:04:40] you know the whole thing with

[01:04:42] john blackstone

[01:04:44] buntaro

[01:04:46] mariko

[01:04:48] amfuzhi was

[01:04:50] it was really interesting

[01:04:52] partially lads night out on the drink

[01:04:54] and and and durs

[01:04:56] and then suddenly quite harrowing

[01:04:58] with his wife safety

[01:05:00] certainly given how much sake he had drank

[01:05:02] and yeah

[01:05:04] definitely

[01:05:06] i think what is going to happen with taro naga now

[01:05:08] with his army having

[01:05:10] a lot of time

[01:05:12] and then

[01:05:14] he's going to have a lot of time

[01:05:16] and then he's going to have a lot of time

[01:05:18] with his army having

[01:05:20] been sort of severely depleted from the

[01:05:24] earthquake and the huge mud slide

[01:05:26] which you rightly point out

[01:05:30] you know it's amazing visuals

[01:05:32] and later Chiba

[01:05:34] i had said

[01:05:36] was such a class entrance

[01:05:38] really oozing

[01:05:40] authority

[01:05:42] in a world where she technically

[01:05:44] doesn't have any

[01:05:46] この前にあった客やおうはずにね。

[01:05:48] そのうまく I have a lot of big reactions to her

[01:05:51] 多いレアプシャルを使ってがたくさんいたかったな。

[01:05:53] すごい弱いよだったな。

[01:05:54] そうです。

[01:05:55] あれは、プランクのお人より、

[01:05:57] テストテプテを触るかの be a lonelyer

[01:05:58] という時間に関連をすることができます。

[01:05:59] その医療だけで、

[01:06:00] それからのパセンスを比べることができないんだ。

[01:06:02] 発殺者のことができないんだ。

[01:06:03] たぶん写真の仕事が食べることができないんだな。

[01:06:06] はい、今日は次回だ。

[01:06:07] Unfortunately, thanks so much Victor!

[01:06:09] はい、 lookin'.

[01:06:10] サクセンのおrogagesによって、

[01:06:11] お前の指のより、レッキャメリーで、クリックリームをすべてやってる。

[01:06:15] しかし、レディアシーバーを歌い合わせてのとても素晴らしいです。

[01:06:19] よーい、

[01:06:20] レディアシーバーしてるのにわたしに、

[01:06:23] また、セッセーにしていることができました。

[01:06:27] シレキャメリーとののすごくないサスタイトのキャメリーで世界 ホクのアクションを聴くこともできました。

[01:06:30] 次は、スメリーでのおめでとうありゃんから、

[01:06:32] いつの人はアクションを選びました。

[01:06:34] いつの人も知られているにゃかわいい部分になりました。

[01:06:37] はい、はい、はい。

[01:07:07] 終わることはあるのかとはするとはクライトクライフがある

[01:07:12] それから、大きくなったときは、

[01:07:15] この人の中で最初にも、

[01:07:20] 私が神様を聞いたくて、

[01:07:23] それが、

[01:07:24] 私は誰にも、

[01:07:25] そう、私は誰にも、

[01:07:27] 私は、

[01:07:28] 私は、

[01:07:29] 私は、

[01:07:30] 私は、

[01:07:32] 私は、

[01:07:33] 私は、

[01:07:34] 私は、

[01:07:35] 私は、

[01:07:36] HKを作るためのマシュエンドのスケームがいちんと良かったですよね。

[01:07:47] はい。

[01:07:48] 本人にも人生活動を行き、

[01:07:51] ああ、そうでした。

[01:07:53] 残念な静岡を作った。

[01:07:56] 私はなんです。

[01:08:00] 全然好きです。

[01:08:03] 本当に好きです。

[01:08:05] 私は思い出してたことになりますね。

[01:08:06] 私たちの話を聞いてもらったいなに、

[01:08:08] 最近は、

[01:08:09] クッキーのやったとなりませんが、

[01:08:12] それが、

[01:08:13] 彼らの試合が前に見ることができます。

[01:08:14] その次の話を聞きました。

[01:08:15] では、

[01:08:16] 日本の集中の

[01:08:18] 新たなステージプリスターを

[01:08:19] 一緒に、

[01:08:20] ドラゴンを持って、

[01:08:21] その時に、

[01:08:22] 何が言ってきましたか?

[01:08:23] この時は、

[01:08:24] あなたは、

[01:08:25] その時のステージを、

[01:08:26] この時は、

[01:08:27] その時は、

[01:08:28] この時には、

[01:08:29] その時に、

[01:08:30] Fream islands live stream have earthquakes on the same scale at all.

[01:08:33] You may have read accounts from other captains that would travel across the world,

[01:08:40] he may have read stories about earthquakes but this would be completely alien to him

[01:08:44] that he could be these massive…

[01:08:47] It might be moving to Earth.

[01:08:48] Partially aware of it I mean you know think of Vasuvius, Southern Italy

[01:08:53] 新しいマロコでのままのトリアンとは、

[01:08:57] 一つでたぶん一つのテクトンのアクティビートを

[01:08:59] あまりこのようにしてもらいましたが、

[01:09:02] しかし、英語のアクティビートを

[01:09:02] たくさんによっておくと、

[01:09:04] これがつきによっていたと思っていいんです。

[01:09:07] それが、

[01:09:08] 結構、

[01:09:09] あまり、

[01:09:10] その時に、

[01:09:11] 僕が、

[01:09:12] このように、

[01:09:13] 僕が、

[01:09:14] 私は、

[01:09:15] このように、

[01:09:16] あまり、

[01:09:18] 僕が、

[01:09:19] あまり、

[01:09:20] このように、

[01:09:22] 今回のアレールを比べた時に食べたい事に

[01:09:44] さては全てのことがあるし、

[01:09:47] このスタッフのアウトを

[01:09:51] ここではないでね

[01:09:53] それがいいんですよ

[01:09:55] スタッフのハムを

[01:09:56] 踊るのは

[01:09:57] そのうちで

[01:10:00] ハムが

[01:10:01] 乱ったな

[01:10:03] それが

[01:10:03] メルダーのアルテンドを

[01:10:04] 全てに

[01:10:06] コメントを

[01:10:06] 作りたいとは

[01:10:08] ボールを

[01:10:09] 反応するー

[01:10:10] はい、

[01:10:10] これは

[01:10:10] 大きいです

[01:10:11] このスタッフは

[01:10:12] このスタッフも

[01:10:14] はい、はい、いいの!

[01:10:44] チャプターの4天abayにいない場合は シューグンローに頼む。

[01:10:47] この次からクラスターのセーブチキン会話をしてください。

[01:10:49] クッキーのシューグンローでおつもさんに購読することができたらいいですね。

[01:10:55] いいですね。

[01:10:56] シューグンローも新婚を見ると 諸外を頑張りたいと思います。

[01:11:00] シューグンローにしまったら オープンをお楽しみにしてください。

[01:11:04] シューグンローにお楽しみに 約定してください。

[01:11:08] よろしくお願いします。

[01:11:11] Portranger's for joining us of course please remember to share the podcast because sharing the podcast is of course sharing the

[01:11:17] love it is now you can also subscribe rate us reviewers on any podcasts catcher of your choice

[01:11:26] and you can also join us and supporters over on patreon.com or by merecoffee.com as well

[01:11:33] but we will be back next week for chapter seven and in the meantime remember please keep watching

[01:11:39] and of course keep listening bye